Moving Air v/s Controlling Air
Air is the lifeblood of singing. As we’ve discussed before, it provides both the chemical energy to power our cells and the physical medium that transforms into shaped sound. However, a common trap for singers—myself included—is the attempt to control that air through sheer muscular force. We often think that if we can just get the breath under "abdominal control," singing will be solved in two easy steps. Unfortunately, the reality is far more dynamic.
The Gym Rat's Dilemma
I remember spending hours at the gym trying to strengthen my intercostal muscles, thinking that "six-pack abs" were the secret to vocal support. What I discovered was that localized, direct abdominal control actually introduces unnecessary tension and rigidity into the body. Singing is not a static act of strength; it is a balance between the muscle groups drawing the vocal cords into configuration and the fluid movement of air.
The Source is the Controller
Here is the truth: the expenditure of air is determined by the glottal slit at the sound source—the space between your vocal cords. The air that needs to go out will be "let out" based on how those cords are adjusted for pitch and volume. If the cords are adjusted properly, that information is transmitted to the breathing apparatus, which responds automatically. There is no need to waste energy tensing your stomach muscles to "push" or "hold" the air.
Automaticity Over Inhibition
When we move away from the idea of "controlling" and toward the idea of "moving," we find vocal freedom. Instead of tensing up, the singer can focus on how the air is moving in and out as a part of the tone and the emotional content of the song. When you inhibit the air, you inhibit the expression. By trusting the reflexive activity of your body, you allow the breathing muscles to respond on the principle of automaticity.
Conclusion: Trust the Adjustment
Keep the air moving and don't inhibit the flow. Your vocal cord adjustment is the regulator; your job is simply to provide the air and let it exit as needed. When you stop fighting your own body for control, you’ll find that the "moving air" takes you exactly where the music needs to go.
