Allen Rascoe

Allen Rascoe

Teaching Experience: 25 years | Voice Teacher

12/05/2025 |2 min to read

Value Of the Major Scale

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Value Of the Major Scale

One of the fundamentals of singing concerns the Major Scale.

When we first think of the major scale, we might think of the “Do, Re, Mi” song from the movie The Sound of Music. This is a good way to think about it! Practicing the major scale can be a lot of fun, especially as we become focused on good work and begin to feel new vocal sensations.

When we talk about the major scale, we refer to the entire scale: “Do, Re, Mi, Fa, Sol, La, Ti, Do.” This works out to be 8 steps. When we talk about our vocal house analogy, we can step backwards up this staircase and down again. Depending on where we are, or what “key” we are in, this staircase could be all in the first floor, or half in one floor and half in another.

We will understand this scale using “movable Do”, which means the bottom note of this scale can be moved up and down, and the other steps will then be moved up or down; keeping the same relationship between each of the pitches. The major scale will be what almost all vocal exercises consist of in some configuration.

We could use this scale and sing the first five notes: “Do, Re, Mi, Fa, Sol.” Or we could use this scale to sing an arpeggio: “Do, Mi, Sol.” The different exercises are constructed to accomplish different purposes, but they are built using pieces of the major scale.

When we just sing the major scale, regardless of the specific key we are in (what pitch the bottom “Do” begins on), there are benefits.

One benefit is that by slowly stepping up and down the steps or pitches, we build muscle, just like if we went to the gym and got on the stair-stepper machine. Another benefit is that if all is working better, our muscles will learn how to coordinate, so we can step up and down without vocally tripping and falling. Finally, our body and conscious mind begin to feel and understand how energy and air work to “lift” us up and down the steps, rather than us just plodding and stomping up and down the steps.

Besides being essential for training the voice, the major scale is also what most songs, especially in popular music, are constructed from. Thus, as we know the major scale, then feeling and hearing are trained, which help us pick up a song and “fit right in!”

 

About the author

Allen Rascoe

Allen Rascoe

Allen has been enjoying singing since he was a little kid. He officially studied voice at ECU and USC. However, he ran into some vocal trouble. The search for healing led him to the studio of Dr. Joel Ewing, and into the world of functional vocal mechanics. Allen has explored vocal truth, and thus highly recommends the writings of E-Herbert Caesari, Cornelius Reid, and William Vennard. He is blessed to invite and accompany folks on the journey towards vocal wellbeing. The adventure awaits!

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